Overview

When you put ODUMODUBLVCK and Wizkid on the same track, expect no ordinary collaboration — expect chemistry and chaos in equal measure. “Big Time” is one of those rare records that brings together two musical worlds: the raw, unfiltered street energy of Odumodu and the smooth, spiritual calm of Wizkid. The result is a layered anthem that feels like both a victory chant and a confession.

Released in 2025, the track blends Afro-fusion with rap bravado and soft spiritual undertones — showcasing why Nigerian music remains a global powerhouse. Odumodu spits truths from the trenches while Wizkid turns reflection into rhythm. Together, they make the street sound poetic.

And isn’t that what true artistry is? The ability to make chaos sound like melody, to turn struggle into swagger. “Big Time” achieves that effortlessly.

Verse 1: Odumodu’s Street Gospel

Odumodu doesn’t ease in; he storms the mic with a declaration of self. “Calling me a cannibal is nothing short of me,” he raps — unapologetically embracing his wild energy. His lines are dense with street codes, pain, and dark humor. It’s not just rap; it’s testimony. You can feel his fight for survival, his rise from chaos to clarity.

He references his mother’s fears — “my mama talk say I for kpai” — grounding his success story in emotional realism. From Makoko to Unilag, his lyrics trace a path of grit and danger, where dreams coexist with substances, and fame is survival. Odumodu paints a portrait of the Nigerian hustle with sharp edges, bold words, and no filter.

There’s also that deep undertone of destiny. “Tell her say him destiny dey written from the time.” It’s spiritual but not religious — a coded reminder that some victories are preordained. Odumodu makes struggle sound sacred.

Pre-Chorus & Chorus: Wizkid’s Calm in the Storm

Then comes Wizkid, and the atmosphere changes. His smooth delivery contrasts Odumodu’s ruggedness like night to day. “Causing kasala since when I buss up on the scene…” — that’s a humble flex. Wizkid acknowledges the chaos fame brings but moves through it with grace.

The pre-chorus feels reflective. It’s about survival, mental balance, and gratitude. “Light one big Mary Jane, make I cool down…” — a line that reveals how he manages pressure in a world that never stops watching. His voice floats above the beat, a reminder that growth doesn’t erase struggle; it just refines how we handle it.

And then the hook lands: “Na big Wiz, big Kala, man a big time.” It’s boastful yet grounded. Wizkid isn’t flaunting — he’s affirming. The line “music been save me from the street life” is the heartbeat of the song. It’s redemption dressed in rhythm.

Verse 2: Wizkid’s Quiet Flex

The second verse is all Wizkid — confident but collected. “Many things dey happen, mo le shalaye” — meaning “I can’t explain everything.” It’s a subtle nod to the mystery surrounding his life and success. Instead of showing off, he lets the vibe speak for him.

Lines like “We dey stay glasshouse, no dey throw stones” and “Hide no feelings inside, man, I no apologize” show maturity. Wizkid isn’t chasing validation; he’s reflecting on how fame changes perception. Still, there’s room for pleasure — “Omoge won jo, dem dey dance on me” — a lighthearted break that reminds us success can still be enjoyed.

This verse feels like a calm middle chapter in a story full of storms. Wizkid uses poise as his weapon, while Odumodu used grit. Together, they create balance — chaos and control, street and sky.

Outro: The Antiworld Declaration

Odumodu closes with a shoutout to his identity — “Black sheep forever, black sheep for life.” It’s not just a tagline; it’s a movement. The outro feels tribal, like an oath. “Izgaaju till we kpeme” — an affirmation that his crew, Antiworld Gangsters, live and die for authenticity.

By the end, the song feels like both a sermon and a street banger. There’s philosophy buried in the madness. It’s loud, yes — but it’s loud with purpose.

Final Thoughts

“Big Time” isn’t just a collaboration; it’s a cultural bridge. Odumodu brings Nigeria’s unfiltered streets, while Wizkid brings the polished global spotlight. Both artists prove that authenticity doesn’t have to be sacrificed for success.

The production is tight, the lyrics are honest, and the synergy? Electric. It’s the kind of record that makes you proud of how far Afrobeats — and Nigerian music — has evolved.
So, who really wins on “Big Time”? The fans. Every single time.

Join the Conversation

What do you think of “Big Time” by ODUMODUBLVCK and Wizkid?
Do you think this is one of Wizkid’s best collaborations yet, or does Odumodu’s energy steal the show?
Share your thoughts in the comments below — your voice drives the culture!