From the very first line of “Anything,” Davido makes it clear that he is operating on a different level. In the intro—“People talk, people talk, but nobody fit fill my position”—he addresses the chatter around him head‑on, setting the tone for a song about refusing to be boxed in by gossip or doubt. What follows is not just a boastful anthem; it’s a lyrical road map of how he sees himself: a modern David facing off against a world full of Goliaths.

Davido leans into biblical allusion almost immediately. When he asks, “as I be David for this one, who born Goliath wey dey micrimo?” he isn’t just playing on his own name—he’s casting himself in the role of the underdog who overcomes impossible odds. By framing his critics as “Goliath” figures in the “micrimo” (microphone) arena, Davido refuses to be intimidated. Instead, he reminds us that in his story, he is the victor, the one destined to stand tall no matter how many giants loom.

That theme of unshakable resolve continues with vivid, down‑to‑earth imagery. “I stand on my ten toes, dem no fit stain my yellow” captures both his confidence and his optimism. In Nigerian parlance, “yellow” often suggests brilliance, happiness, or prosperity. By insisting he cannot be “stained,” Davido is telling listeners that his shine comes from within—a brightness immune to outside forces. When he declares, “You can’t catch me sleeping, on God,” he folds faith into his mantra, suggesting that divine protection fuels his hustle.

The pre‑chorus introduces another thread: the weight of responsibility that comes with success. “Why me go lay low? When I get many people for my pay‑roll” reveals that Davido feels an obligation to those who depend on him—his team, his family, and his community. He’s not just working for personal glory; he carries the hopes of others. The line “one billi’ one day, o sa mọ Oluwa lo n ṣe” (“One billion one day, only God knows how He’ll do it”) blends ambition with humility. He aims for a billion streams or naira, but he acknowledges that his achievement ultimately rides on divine timing.

As the chorus hits, Davido’s confidence crescendos into pure determination. “Know I put my life on this P so long”—here “P” likely stands for “process,” “project,” or even “platform”—and he’s saying that he has poured his very being into this journey. “And as I dey I fit conquer anything, anything” repeats like a mantra, wrapping the listener in his belief that no obstacle is too great. This is the heart of the song: a declaration that with enough drive and faith, one can overcome any barrier.

Verse Two doubles down on Davido’s self‑portrait as both warrior and creator. He layers nicknames—“emi stubborn, emi Lion, Iginla, igi‑iroko, emi gan‑an gan‑an”—each carrying its own weight in Yoruba symbolism. The lion is kingly, the Iginla (a fast‑growing tree) and the iroko (a massive hardwood) represent strength and resilience. He’s saying, in effect, “I’m tough, I grow fast, and I stand firm.” The repetition of “emi” (I am) before each image underlines that this is who he is at his core.

Even as a global superstar, Davido stays grounded in cultural specificity. “I still get love for Edikangikong” surprises with its shout‑out to a richly flavoured Nigerian soup, suggesting that no matter how high he soars, he remains tied to his roots. And yet, he also nods to the perks of fame: “different girls on my phone, but I steady lock up.” He’s not above temptation, but he claims discipline. That line serves as a private wink to the audience—he’s human, but he exercises control.

Throughout the track, Davido peppers in references to lifestyle and luxury without letting them define him. “Balling na normal thing, and I been don blow by seventeen” reminds us he’s been on this road since he was a teenager. By seventeen he’d already “blown up,” but instead of resting on early laurels, he continuously “hawks” (markets) his music “jẹjẹly” (gently, steadily). The Yoruba word “ajeh”—someone who’s well‑off—makes a cameo, confirming that hard work has paid off materially as well as spiritually.

Musically, “Anything” rides on a buoyant beat courtesy of Louddaaa and Grey, whose production accents Davido’s voice with bright percussion and a subtle, driving bass. The arrangement never overshadows the lyrics, allowing each boastful line and cultural reference to land fully. In fact, the strategic pauses before the chorus give listeners a moment to absorb his message before he unleashes that triumphant refrain again.

By the time the outro circles back—“Emi stubborn, emi Lion, Iginla, igi‑iroko…”—we’ve been on a lyrical journey from self‑doubt to self‑assurance, from addressing critics to celebrating divine support. The refrain doesn’t just close the song; it reaffirms everything Davido stands for. His persistence, his faith, his cultural pride, and his refusal to be defined by others’ expectations.

In “Anything,” Davido doesn’t just claim he can face any challenge—he invites us to believe it too. He models how to blend bravado with humility, street‑level hustle with spiritual surrender, and international ambition with deep cultural roots. The song functions as both a personal manifesto and a universal rallying cry: if you hold fast to your vision, stay true to your roots, and trust in a power greater than yourself, you really can conquer anything. And in Davido’s world, that’s a promise worth singing—and living—every day.