Adekunle Gold has always been a storyteller, but in “Big Fish” from his Fuji album, he turns his entire journey into a declaration of victory. The track isn’t just a song it’s a spiritual testimony from a man who has swum through deep waters and finally surfaced, shining.

A Song of Survival and Gratitude

“You know I came into the game since 24, Ogo wey dem never see before…” — that’s how Adekunle Gold opens the record, not with braggadocio, but with earned pride. The lyrics take listeners through his early struggles, from distributing CDs in Lagos traffic to buying a fake Rolex just to fit in. It’s a vivid and vulnerable recounting — the kind of truth that endears him to his fans.

Here, Adekunle Gold blends Yoruba spirituality with urban hustle: “Oghene Do Oghene do do make it pass over me” — a heartfelt plea to God for protection from the return of hardship. His delivery makes you feel like you’re listening to someone’s diary set to rhythm.

Production That Mirrors a Journey

The production of Big Fish glides between Fuji undertones and sleek Afropop rhythms — layered percussion, sharp brass, and subtle electric guitar riffs. It feels celebratory, yet grounded. The soundscape mirrors Adekunle Gold’s dual identity: one foot in his grassroots Lagos roots, and the other in global sophistication.

What’s special here is how the sound evolves as the verses unfold — like a sunrise after a long night. Every beat feels like another layer of success peeling through, symbolic of AG Baby’s reinvention over the years from “Orente” to Fuji.

The Lyrical Heart of a Self-Made Man

Lyrically, Big Fish is a masterclass in personal storytelling. He doesn’t glamorize the struggle — he humanizes it. The lines, “Na pesin wey don suffer can tell, Thank God say water full my well” sum up years of prayer, perseverance, and payoff.

The reference to “Bourdillon” — a nod to Lagos’ high-end neighborhoods — contrasts sharply with his earlier lines about selling CDs in traffic. It’s not just growth; it’s transformation. Adekunle Gold narrates that his wealth and peace are not by chance but by grit and divine grace.

Cultural Relevance & Spiritual Undertone

“Big Fish” connects deeply to the Nigerian spirit — resilience, hustle, faith. Adekunle Gold sings in English, Pidgin, and Yoruba seamlessly, making the song relatable across tribes and borders. His repeated declaration, “I don’t wanna go back to poverty”, is a sentiment every hustler understands.

And beyond the melody, it’s a mirror — showing young artists that success isn’t about shortcuts; it’s about process. He thanks God but also reminds listeners that prayer without effort is empty.

Final Thoughts:

With Big Fish, Adekunle Gold isn’t flexing — he’s testifying. It’s the sound of a man who’s finally found balance between gratitude and glory. The track stands tall as one of the strongest cuts on Fuji, and one that might just define his next musical era.

It’s reflective, intentional, and deeply Nigerian — the kind of music that ages well because it’s built on truth, not trend.

Join the Conversation

What part of Big Fish spoke to you most — the raw confessions or the victory tone?

Drop your thoughts below and share how Adekunle Gold’s journey inspires you.

Read More

If you loved this review, check out these related stories:

• Only God Can Save Me – Adekunle Gold ft. Davido: When fame meets temptation
• Believe – Adekunle Gold: The anthem of faith and renewal
• Joeboy ft. Shoday – Ring: A love story in full rhythm
• Odumodublvck Biography – The rebel redefining Nigerian rap